Thanks to its striking design, the Four Seasons Hotel Guangzhou is China’s most significant hotel opening this year and is becoming already an iconic landmark for Southern China metropolis.
HONG KONG – Global interior design leaders HBA, Hirsch Bedner Associates set out to challenge perceptions of hotel design with the styling of the Four Seasons Hotel Guangzhou, a stunning new architectural landmark in China’s southern provincial capital and the brand’s 88th property worldwide. Remarkable for both its soaring height and tapering avant-garde design, the newly opened hotel is set to become a new benchmark for interior design in Asia.
Rising 103 stories above the Pearl River, the Four Seasons Guangzhou occupies the top third of the new Guangzhou International Finance Center. The project is architecturally dramatic for its triangular tower, diagonal lattice and soaring, 30-floor-high atrium. HBA’s interior design concept is striking, developed to push the boundaries of design and challenge perceptions of the classic hotel interior.
HBA won an international competition to design the hotel. “It was because we were able to beautifully communicate a visual presentation that upholds the integrity of the Four Seasons brand coupled with innovative design and sensitivity to location,” said Ian Carr, CEO of HBA in Singapore.
Every detail of the hotel’s interior was meticulously planned and executed to ensure an exceptional guest experience. From the ground floor, guests take dedicated express elevators to the 70th floor lobby, where a dramatic three metre (ten foot) red steel sculpture by Australian artist Matthew Harding appears to float on a sea of watery glass, reflecting the astounding ceiling window 30 floors above.
The naturally-lit atrium, surrounded by restaurants and rooms above, is higher than the top of St. Paul’s Cathedral in London and New York’s Statue of Liberty. The intricate textured screen made of woven metal wraps around the interior of the sky-high lobby. In a subtle reference to the hotel brand, the screen is themed around the four seasons, from spring in the basement to fall in the upper reaches.
“The artwork extends to edgy, modern Southern Chinese pieces by local artists and continues the theme of the four seasons from spring on the ground floor to winter at the top floor,” said Sandra De Souza, Director of Canvas, art consultants on the project. For instance, at Tian Bar on Level 99, the artwork is pure, white and ethereal in a fitting tribute to the heavens.
A key challenge facing HBA was to match interiors with the complex structural columns featured in all public spaces and the hotel’s 104 guest rooms and suites. Each boasts a unique floor plan as a result, with the building narrowing as it rises and columns intersecting at different points. The only constants in HBA’s guest room interiors are the bathrooms and beds, positioned to offer unparalleled views of the Pearl River Delta and cityscape. Floor to ceiling glass windows additionally encourage guests to “look right down”, said Carr. “This design is naturally inspired by the 103-storey building we were given. We didn’t want to close up the windows and deny guests the spectacular view.”
Embracing this brief, HBA’s objective was to bridge the gap between Four Seasons’ “modern conservatism” style and the building’s avant-garde architecture, with the vast, light-filled central atrium contributing to a particularly dramatic effect. “Where guests check-in, they can look up and see beautiful patterning spanned across 35 floors of tapering diagonal glass, it’s quite amazing,” said Carr.
Nowhere is the sense of height more intense than from a bridge on Level 100, where a staircase projects into the void and glass floors look down 40 floors below to the lobby.
In addition to Tian Bar, HBA also provided sumptuous interiors for Yu Yue Heen, Caffe Mondo and Kumoi –three of the hotel’s four new dining destinations. Located on Level 71, signature Chinese restaurant Yu Yue Heen deliberately speaks a different design language than the rest of the project, with interiors playing on traditional Chinese calligraphy and carrying the colours of the Red Dragon. In Yu Yue Heen, and throughout the hotel, design marries tradition and innovation to firmly ground interiors in modern China.
“Overall, Four Seasons Hotel Guangzhou breaks conventions, coupling luxury with the avant-garde,” added Carr. “The architect created amazing spaces for us to work with and this building really stands out as a new design icon for both Guangzhou and for the Four Seasons brand.”
Luc Citrinot a French national is a freelance journalist and consultant in tourism and air transport with over 20 years experience. Based in Paris and Bangkok, he works for various travel and air transport trade publications in Europe and Asia.
